By far the most accomplished release from Abigail Williams so far, Becomingsees a mixture of Celtic influence and the aforementioned post/math-rock genre create a fresher, haunting affair. Although some of the more traditional derivative black metal manoeuvres are still present, the guitar work is what really hits this one home. It makes for a dramatic improvement on theirheavily-criticised second album, In The Absence Of Light, which depended so much on the works of the Scandinavian Second Wave that it might as well have been re-titled The Beginner’s Guide to Norwegian Church Burning, all the whilst bringing absolutely nothing new to the (desecrated) altar.
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